Marking the complexity and artistry of fashion design in Canada: Denis Gagnon documentary movie
Producer and director, Khoa Lê created a documentary film titled, Je m’appelle Denis Gagnon which premiered at the International Festival of Films on Art in March.
This movie provides an intimate look into Gagnon’s life, the development and presentation of his fall/winter 2009 collection. I haven’t seen this movie yet but the reviews online are very positive.
Toronto screening dates are TBD, but I spoke with the production company and they’re aiming for a screening in the fall of 2010; I will make sure to keep you updated.
Synopsis: Denis Gagnon, designer of fashion apparel, puts the final touch in his collection. Confined in a basement turned workshop studio – his “cave” – he instinctively assembles materials (glitters, Jersey, leather and silk). Later, he returns to Alma Lac Saint-Jean on holidays, the city where he was born and lived up to the age of 20 years. Denis Gagnon delivers us his concerns, inspirations and creator’s perceptions. He makes us meet one part of his family and his friends.
The one that we nickname the enfant terrible of the Canadian fashion becomes the subject of a cinematic picture. Rather than to make the chronicles of an icon of the fashion, “My name is Denis Gagnon” brush in a intimate way the portrait of a complex character, a man and an artist behind his enormous dark glasses. Denis Gagnon comes to light to the spectator in his way. He comes out observed but decides to be engaged.
Synopsis: Denis Gagnon, designer de mode, met la touche finale à sa collection. Reclus dans son sous-sol devenu atelier – « sa grotte » -, il assemble instinctivement les matières . Plus tard, il retourne à Alma (Lac Saint-Jean) en vacances, ville où il est né et a vécu jusqu’à l’âge de 20 ans. Denis Gagnon nous livre ses préoccupations, inspirations et perceptions de créateur. Il nous fait rencontrer un partie de sa famille et de ses amis.
Celui que l’on surnomme l’enfant terrible de la mode québécoise devient le sujet d’un tableau filmique. Plutôt que de faire la chronique d’une icône de la mode, « Je m’appelle Denis Gagnon » brosse de façon intimiste le portrait d’un personnage complexe, de l’homme et de l’artiste derrière ses énormes lunettes noires. Denis Gagnon se dévoile au spectateur à sa façon. Il se sait observé mais prend le parti de se livrer.
